Cottoning On




As my training at the Royal School of Needlework progresses, I'm finding that some embroidery techniques take a little longer to get the hang of than others. Right from the offset of my blackwork, I felt completely at ease and enraptured by the medium. Silk shading has been a little more counter-intuitive, and it took 'til at least halfway through the project for me to get to grips with the smooth shading required. So the final result isn't perfect, but I am still pretty happy with it, and I'm raring to do another! I think I'd like to do a silk shaded milk thistle for artist's book #3...

Satan's Mushroom in progress

My Boletus Satanas silk shaded mushroom is a few days away from finished. I'm not quite as enamoured with silk shading as I was with my blackwork; I don't feel I've "got" the technique yet, but I suppose it's very difficult to in such a short space of time. I do love the subject and colours though, I just wish they were a bit, well, silkier! All silk shaded RSN Certificate pieces must include a turnover in a flower petal or leaf, so I've included a vivid green oak leaf at the base of the mushroom, and that certainly has quite a sheen so far.












After my silk shading is complete, I'll be doing a six week module in the RSN studio. During that time, I'll be sampling beadwork techniques, which I will share here. Then it's on to gold work, the design for which is forming in my mind, and involves, er, crying... as so much of my previous work has done!