The last couple of weeks I've been trying to put plans in place and get my life together a little bit. So Milk Thistle
has suffered somewhat, but I'm happy to report that I'm back on the stitching and page seven (of 8) is underway.
Inspired by my online contemporaries and the ever-present desire to write, I began keeping a diary last month. Alongside my lilac written diary, I've started collating a visual diary (or art journal) too. It's a lovely way of recording special moments and it will hopefully be wonderful to look back over the course of the year and realise that, actually, it was pretty good.
This first page depicts mine and Pip's visit to Brighton to stay with friends... with added mallards. On our trip to the seaside we ate far too much rich food, played crazy golf and despaired over the price of vintage.
Soon after, I stayed with my parents and grandparents in the Highlands, visited Tobermory (the site of fictional Balamory), and stocked up on fancy chocolates for Pip. This trip was characterised by, once again, eating far too much rich food.
When I returned, we visited Lucy Sparrow's rather fantastic Corner Shop, which I blogged about here
The next day, I had a wander around Epping Forest with my Mum, marvelling at how verdant and heady everything smelled.
The next day, inspired by this walk, Kat and I took a bunch of photographs in Walthamstow Forest, which you can see here
At the end of the week, Pip and I went to two special screenings, the first being Stuart Murdoch's bittersweet twee musical God Help The Girl
, the costumes and songs of which I enjoyed immensely, although the extent of the earnest, melancholy male gaze in it was almost painful to watch. Still, mostly good fun.
The second film was outstanding
. I'm slightly biased, as Brief Encounter is my favourite flick ever
, but this screening was very special; the film was presented in concert with the London Philharmonic Orchestra, and the soundtrack of Rachmaninov's Piano Concerto No. 2 (with which the film is so inextricably bound up) was painstakingly removed and then played live and seamlessly at the appropriate moments. It was so technically astute, in fact, that I often forgot the orchestra were there at all.
I've got some visual diary-ing to catch up on; I find it quite therapeutic and nostalgic; in this world of instant media it's refreshing to go a bit analogue. Do you art journal?