"Hypnoid States"

My favourite quotation happens to be by one of my least favourite historical figures. Sigmund Freud wrote that "Hypnoid states often grow out of the day-dreams which are so common even in healthy people and to which needlework and similar occupations render women especially prone." I am a woman, a daydreamer, and an embroiderer; I must be more "prone" to "hypnoid states" than most!

"Hypnoid states", but of course, lead to symptoms of hysteria, that peculiarly female malady.

Compare Freud's quote with this one, by a contemporary female, the writer, editor and publisher Flora Klickmann; "And after the breakdown, when I couldn't bear the sight of books or the sound of music, I found myself actually doing needlework, and liking it too; and the fascination of it grew upon me very rapidly, till now - I really don't know what I should do if I hadn't needlework to fall back upon, as a recreation, when I get over-done with the wear and tear and strain of work in our great city.

I would tend to agree with Klickmann that the meditative, contemplative act of embroidery can help suture and sooth; we can stitch our shattered psyches back together again.

As an act of (hysterical) anti-patriarchal rebellion I am hand stitching a meticulous illustration of Freud's quote, using embroidery techniques which Flora Klickmann, and possibly even Freud would have been familiar with. Here is my progress so far.






































Crystal Ball

You might remember a number of posts (spanning from all the way back in February to more recently) all about a certain quilt I was (mostly failing at) working on.

Well, now that Big Teeth is finally finished I can set to work on The Constellation Quilt. This quilt is more of a story book or comic strip, telling the tale of the fortune-telling but unlucky in love witchy siren Polly Kettle (a performative alter ego of mine).

As well as spelling out Polly's name letter by letter in square patches, the quilt has a narrative, typewritten below:


In between the narrative and letter patches will be illustrative, playful patches portraying Polly and her accoutrements (crystal ball and all!) Here is one below. It's stitched on to hand screen printed linen by Room39:



And the first (though not chronologically) of the narrative patches, complete with iridescent sequins for shading:


I haven't quite decided which patch to stitch up next; possibly an appliqué of Polly herself. The quilt may have to take a bit of a back burner once again, however; I'm starting my training at the Royal School of Needlework next week, and imagine I'll get fairly busy fairly quickly! A post on that to follow.

Trophy Tears

When I was growing up, if I was being particularly whiney, my mum would occasionally say "I'm playing the world's smallest violin for you".

For this latest instalment of Treasures For Your Troubles, I wanted to create the world's smallest trophy, awarded for achieving precisely the opposite; for navigating the treacherous waters of life without breaking down into floods of tears (or is that mixing the water metaphors a little too much?)

For the embroidery's background, I dyed an antique linen handkerchief with onion skin, similarly to The Onion Cutters' Club.






This idea was actually suggested to me by Pip, who thought I should get the phrase engraved on to a real trophy (maybe one day, Pip). It's also a bit of a self-deprecating in-joke with myself; some days I really do feel it's a grand achievement that I've gotten through the day without bursting into tears. And now I have the world's smallest trophy and dozens of gold stars as reward!

Quite some time ago, appliquéd some felt tear drops on to spangly sparkly gold lurex material. It's a happy coincidence that this piece ties in with the colour scheme of Treasures For Your Troubles. If the project was ever exhibited, I would like to display the tears alongside the more recent works. I'm enjoying the way the naivety of these two pieces work together.


No rest for the wicked; I've got a number of summer exhibitions to submit to and/or create work for. First up, a bee crying (what else) honey over some melancholyflowers. My name is Kate Elisabeth Rolison, and I make art about crying!


Oh, what a thrill to be mentally ill.

A companion piece to Oh, to be young and insane,for the forthcoming collaboration Psychobitches which a friend and I are working on - watch this space! 

I hope this piece is taken in the spirit in which it is intended; that is, bitter and knowing irony (speaking as a bonafide mental myself!)










Oh, what a thrill to be mentally ill is stitched on to a vintage hand-embroidered and appliquéd linen which I picked up in my favourite shop, the wonderful The Shop on Cheshire Street just off Brick Lane.