Hell hath no fury like a woman subjugated

I stitched up this piece for a little feminist exhibition I'm hoping to have as part of a wider event (more information to follow if all goes well!)

I put a feminist twist on the famous William Congreve quote (which is, of course, always misattributed to Shakespeare), so I suppose it's literary stitchery too!



The real credit for this piece has to go to the original needlewoman (I'm assuming it was a needlewoman, not a man, and that's incredibly presumptive of me) who cross stitched this ornate floral and fruit, Grecian inspired design. It's an even more incredible feat when you consider that it was rendered on plain cotton rather than cross stitch aida; all those neat, tiny stitches! And without the aid of a drawn-on design, too! I'm in awe of my predecessors, sometimes.


I felt the rather chintzy "surroundings" of the phrase lent a nicely ironic air. A satisfying little stitch to produce while I'm working on bigger things.

A puffin for my parents


This March my parents both turn fifty. Being an impoverished artist, I decided to make their present. As they’re both wildlife lovers and I particularly enjoy embroidering birds, I decided on a puffin, which is a bird they met in the Scottish Highland a few years ago (Dad got some cracking pictures!)
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My puffin isn’t quite as bright and breathtaking, but is hopefully just as cute! It’s embroidered on a doily given to me by my Grannie (my Mum’s mum), which I think makes it more meaningful. Next stop is getting it framed.
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I’m really looking forward to the fiftieth birthday celebrations next Saturday; it’s sure to be quite a do!

News, blues, and terrifying highs

Ages after everyone else has got their results, I’ve finally handed in my dissertation. In a matter of weeks I should know whether I’ve been awarded a 2:1 or (gulp) a First.


Before embarking on the real world, I’m having a little holiday in the Scottish Highlands. That means one thing – lots of stitching!

But before I get to that, I have a couple of bits of news. Firstly, I’ve been asked by Catherine at Significant Seams to intern on an embroidery project masterminded by Oxfam and the Craftivist Collective. I’m only too happy to be on board; craft with a social message is right up my street, and I could practically be sponsored by Oxfam given the percentage of my wardrobe made up of clothes from its shops! Not entirely sure what the project involves yet, but I’m very excited.

Secondly (and possibly even more excitingly), my work is going to be shown in a professional gallery in October. Not only that, but (and here comes more boasting), it will be shown alongside work by the likes of Susan Hiller and Cecil Beaton! The exhibition is called A Curious Invitation, and has been curated to accompany the launch of a book of the same name, all about famous parties in literature. My contribution is my embroidered handkerchief The Onion Cutters’ Club, which is based on the chapter The Onion Cellar which appears in The Tin Drum. Check out my artist bio, along with those of the other artists, on the gallery website. I must say I feel incredibly inexperienced compared to them; I’m the youngest artist in the exhibition!

Thirdly, during this year’s E17 Art Trail I will be writing a couple of reviews for the Trail’s official blog. I’m very excited to see this year’s artists’ efforts, particularly an exhibition on crying which I imagine will have a nice dialogue with The Onion Cutters’ Club.

Finally, I’ve finally succumbed to Twitter! Now that I don’t have Facebook any more, where else to take my inane (t)witterings? Jokes aside, I’ve heard it’s very handy for networking. Initial discoveries include Feminist Hulk and the (genuinely witty) witticisms of my wondrous ex-uni-mate (and future poet laureate) Adam’s bear Aloysius (inherited from Sebastian Flyte, but of course).

Now that all that’s out of the way, on to the sewing! I can’t seem to stop making pieces for Psychobitches, despite the fact that it hasn’t been officially unveiled yet. This latest piece follows in the tongue-in-cheek, snarky vein of its two predecessors.






I’ve never been a Zooey Deschanel fan, and now I know why. Firstly, there’s the fact that the archetype she repeatedly plays, the Manic Pixie Dream Girl, reduces female characters to two-dimensional emotional props for male leads. But I also have a bone to pick with the name of the trope itself. Anybody who’s experienced mania can tell you that there’s nothing “dreamy” about it; unless by “dreamy”, you mean “nightmarish”. Sure, there’s the initial euphoria, the sense that you can do anything. But soon this tips over into an energy that’s out of control. You become irritable (and irritating), aggressive, incomprehensible. (When I was manic, I filled an entire notebook with writing, that – looking back – made no sense.) And when you come down – boy do you come down.

This would suggest that the trope appropriates terminology referring to mental illness and applies it to a particularly nauseating brand of “quirkiness” (and this is coming from someone who's about as twee as they come).


 As “Dionne the Socialist” so eloquently puts it, “Mental disorders are medical conditions. Mental disorders are not personality quirks.”

Despite this, you can suffer from mental illness and still be a fulfilled, interesting, attractive, productive, accomplished, kind person – with the right support.

Thus, there’s an aspect to my piece that isn’t tongue in cheek at all; you can be a manic depressive and a dream girl. Whether you'd want to be anybody's dream girl is another question...



Oh, to be young and insane.





Yesterday I stitched this play on the phrase "Oh, to be young and in love" on to an antique linen cross-stitched with a floral design my mum's colleague gave me... apparently it belonged to her mother (I'm not sure she'd be too impressed with my subversion of its glorious twee-ness!)


This may wind up becoming a part of my planned collaboration with my friend Jess, who has just joined the cool kids on Blogger.

Here's Jess enjoying the present I made her for her birthday. That's right, it is a chintzy floral tank.


Soon I'll post about my final university showing, but first here are some photographs of what Pip and I did today; messed around in the garden with my Polaroid cameras. I haven't got these babies out for years and years, I'm surprised the long-expired film worked so beautifully.

Here we are in all our soft-focus, light-leaky glory.

Taken by Pip on my Spectra



Taken by me with my Land 420
Pip again (there he is in the window) with the 420
And finally one my brother attempted to take of the pair of us, from which we are mysteriously absent. I still quite like it, though.


It was our six-month anniversary on Friday, and amongst other sickening gifts, I stitched Pip a letter on to a page from a Ladybird book of ducks and swans which Mark bought me.




I think I like the back better than the front.

(Pip calls me Pine Cone because I once sent him a pine cone in the post when I was pining for him... we share a weakness for awful puns.)