Book Marks

A wealth of wit, literary references and life's big themes are on show in the current exhibition at E17 Art House. Those literary references are particularly apt as the exhibition is entitled Book Marks, and is part of Walthamstow's inaugural literary festival, Words Over Waltham Forest.

Paens to literature, reading and writing in the exhibition include quick-witted visual puns (an orange with a piece of clockwork inserted where its stem should be), conceptual riffs on the sanctity of literature (a Bible which warns that God is watching you via a security camera in the front cover, another with legislature scrawled over chapter and verse), and the more straightforward, though no less charming (sculptures and photographs of readers enjoying a quiet moment with a good book).

From the moment of glancing at the title of How To Deal With Problematic Neighbours, the reader's mind is set racing guessing what the solution may be. Its contents are almost predictable, though still tickle the funny bone; a pistol conveniently concealed inside for dispatching with annoying acquaintances.




J. Thomas's artist's book was one of a number of offerings lining what I affectionately refer to as 'Conceptual Corner' in the exhibition, and is the next door neighbour of my contribution. Big Teeth, the artist's book which consumed me for around a month and a half, is a hand sewn exploration of the women's language of cloth in fairytales, and of what happens after happily ever after.




To the right hand side of Big Teeth was another artist's book, this time for sale in an edition. Subtitles (of Life and Death) by David Barette also happened to be my favourite piece in the show.

It's a simple idea; collate quotations on life and death in the form of screenshots and subtitles from a variety of classic films. But it works. 


The screenshots take the form of postcards that one could "cut (or rather, pull) out and keep", or keep as a complete work of art. Perhaps it appeals particularly to me as part of an image, iconography, pop culture obsessed generation; the Tumblr generation, if you will. It's certainly very accessible and instantly gratifying.




Between the Lines by Wendy McMillan, UK Law transcribed over Biblical Text

1984 by Francis Long



Insect Travellers Author/artist unknown. This artist's book disperses advice and adages alongside scientific illustrations of insects.



Bible Cam - God is watching YOU by Pure Evil


Genre - Mystery by Hannah Battershell. What tales could this abandoned typewriter tell?

A Soul of a New Machine by Jonathan Thomas
The artist E. J. England uses  book covers as their canvases; of course, one would need to read the words enclosed within to know whether these paintings are illustrative, or what is suggested to the artist by the books' titles.

The Stars Look Down by E. J. England. Gouache paint on vintage book.

The Lion by E. J. England. Gouache paint on vintage book


Of Love and Other Demons by Divya Venkatesh
I've been in a number of exhibitions with soft sculpture and embroidery artist Harriet Hammel, but the attention to detail and accuracy of her illustrative comic book embroideries exhibited at Book Marks never fails to astonish me.


Beano Embroidery by Harriet Hammel

Dandy Embroidery Fragment by Harriet Hammel
Another favourite piece was Jonathan O'Dea's book-sculpture Burning Back the Layers. Created as a tangible embodiment of the artist's struggles with reading as a dyslexic, the work also reminds the viewer that books come from trees; it reminds us of the lengthy process the materials have undergone in order for a book, perfect and complete, to be placed in our hands. The longer I spent with this piece, the more of its layers I unpeeled; a very appropriately titled work.

Burning Back the Layers by Jonathan O'Dea

Reading by Esther Neslen
This exhibition is rich and beautifully curated, many of the pieces situated in such a way that they have a profound dialogue with one another. I am sure book based art is a genre I will return to time and time again over the course of my career; books are my first love, after all (and what better first love to have?) As one of the art works in the exhibition mused, in the immortal words of Morrissey: "There's more to life than books you know, but not much more." Quite.

Revisiting the Constellation Quilt


The Constellation Quilt has been languishing unloved and uncared for for the past few months, in favour of "quick fix" projects over this time consuming (and daunting!) endeavour. It's not just that though; the quilt just wasn't "hanging together" for me; I wasn't happy with the aesthetic, or with the disjointed narrative of the piece; it all seemed a bit "bitty".

Now that my summer holidays are looming, I'm about to find myself with the time to really take the quilt to task. I toyed with the idea of converting it into a giant fortune teller or cootie catcher structure (and I may still have to make one up in fabric, though on a smaller scale), but it was the concept of the quilt as a giant linear comic strip that most appealed to me.

And so I have written a snippet of text to add into a reworking of the quilt, with much more of a cohesive narrative. I don't think it's quite "done" yet, it needs a decisive ending, and it will be accompanied by a few choice embroidered and appliqued illustrations, but the final quilt will be mostly text; the words will speak for themselves.
I'm excited to make a proper start once my current bee-themed embroidery is out of the way. My hope is that I'll have the quilt ready for exhibition in the Words Over Waltham Forest festival in October. Fingers crossed!