Big Teeth

Possibly thanks to my little exhibition at Arts and Crusts, I was recently contacted by E17 Art House, a local picture framers and gallery, and asked to participate in a new exhibition there to coincide with Waltham Forest's literary festival in October.

Words Over Waltham Forest aims to incite participants and the public to "tell tales, spin stories, recite rhymes, loosen tongues as Words over Waltham Forest celebrates creative writing, literary inspired art, reading, freedom of expression, language and literature across Waltham Forest."

I have a couple of plans for "literary inspired art" afoot, but first I must create a piece for the Book Marks exhibition at E17 Art House. And, always being one to bite off more than I can chew, I've decided to create a follow up to On Being Soft, my first soft sculpture artist's book.

This new book will be titled Big Teeth, and in keeping with the literary theme, will focus on fairytales and all the allusions to textiles therein, and how there is no such thing as a happy ending. It will have more than a whiff of Hounds of Love about it, being narrated by a heroine who is unwilling to give into love and its trappings.

Here is the design for the book's front cover.


Big Teeth refers both to the wolf in grandmother's clothing ("My, what big teeth you have") and to being afraid of the unruly emotions of life and love (life's "big teeth").

I picked up all the fabric to construct the book from fabric donations at Significant Seams for a very reasonable price; I love the slightly worn, pre-loved look of donated fabric. The fabric this embroidery will be stitched to make up the front cover is a faded "toothpaste stripe", which I felt very appropriate.

Hysterical Woman

The charming little coffee shop where I work tonight hosted the first of its supper clubs for the Appetite Festival (a month-long festival of food in Waltham Forest for the month of June). To coincide with this, Walthamstow Dad has created a coffee-flavoured art installation, and, thanks to a kindly customer who dropped me in it/suggested Arts and Crusts exhibited my work, I have a little window installation of my embroideries.

Carol (one half of Arts and Crusts) set the embroideries off beautifully by hand-drawing a lace design based on one of my handkerchiefs.

Work old and new is featured; pieces from The Cure for Love, my Melancholy Flowers, a pop feminist piece (which will, fingers crossed, feature in another exhibition soon), two handkerchiefs from my current project Treasures For Your Troubles, and a satirical piece on the perils of hero worshipping Sylvia Plath (as Woody Allen said, Plath was an "interesting poetess whose tragic suicide was misinterpreted as romantic by the college girl mentality.")

When Carol was putting the finishing touches to the display, she asked me if I had a name for the little exhibition. As I drew a blank, she took a lead from the pop feminist embroidery featured, and dubbed the exhibition Hysterical Woman; so the display now reads Hysterical Woman Kate Elisabeth Rolison (!)





























I'm chuffed with the beautiful way in which Carol has presented my work. It seems fitting to have a little exhibition at Arts and Crusts; after all, it is an arts and crafts café, and I'm always found stitching away in between serving customers!

I'm afraid to say (according to the Arts and Crusts Twitter feed) all the spaces for the supper clubs are now sold out; I'm certainly very pleased to have made it to one. The tabbouleh, baklava, and Arabic mint tea went down particularly well (though wasn't eaten/drunk all at once!) It was a little like a dinner party but with new faces; a wonderful way to meet your neighbours and socialise, all while admiring the art on the walls (and ceiling!) and sampling Middle Eastern deliciousness. Bring on next year!