Letting In The Light

I very much wanted to write a post for International Women's Day, but was at a bit of a loss until I was mentioned in a lovely tweet by my friends over at Daily Life Ltd.
This decided it for me; my International Women's Day blog post will be dedicated to the women I share the stage with at Daily Life Ltd's light box installation in the square outside Stratford Library, Letting In The Light, which is on until the end of the month if you fancy taking it in (it's worth it; these photographs don't do the scale or the luminance anywhere near justice).

I have to start with Bobby Baker, of course. Several of her diary drawings, completed between 1997 - 2008 and began while she was a day patient at a mental health centre.

This illuminated illustration particularly spoke to me. It's called The Daily Stream of Life, and features Bobby's mind as a river through which life flows, and she in life, sometimes in a rowing boat, sometimes in a canoe, sometimes in a fancier vessel altogether.

After a brief blip in my mental health due to an unfortunate series of circumstances, I feel I am bouncing back to a place where I can leisurely row along on the river of life, enjoying taking in the scenery and getting fresh air as I go.

Liz Atkin is an artist, advocate and speaker who raises awareness of, and promotes recovery from, compulsive skin picking through her art. The work featured in Letting In The Light, Lavish, transforms an illness which dominated Liz's life for more than twenty years into something really quite beautiful.


My favourite piece in the exhibition involved one of my very favourite things; word play.

By Jane McCormick, the piece has a back story that is well worth reading.
Bats in the belfry

An honorary mention goes to male artist (gasp!) Anthony Woods who created a joyous ode to fashion icon Iris Apfel:

My piece is in great company:


I couldn't resist a quick selfie with my work. It was rather wind and rain swept as you may be able to tell; apologies for the quality of all the photos.


Letting In The Light is well worth the trip to a slightly unassuming corner of East London; brighten up your evening, and discover the truth behind Groucho Marx's quip, "Blessed are the cracked, for they let in the light".


Abnormal Feeling of Wellbeing

I have a huge backlog of blog posts to get through, and so I thought I would begin with a new project I am undertaking. Abnormal Feeling of Wellbeing is a lighthearted body of work about serious mental illness. Consisting of lists and mantras, illustrated infamous quotations on and historical allusions to the mind and observations on the absurdity of everyday life, it takes its title from a listed possible side effect of the antipsychotic drug Olanzapine. Reading this, it struck me that an abnormal feeling of wellbeing was precisely what I was aiming for, giving that I had been feeling abnormally unwell for half my life by that point.
The resulting works expand the notion of side effects and are hand embroidered on to vintage linens, overbearingly florid, so lovely as to be abject, naive and intricate. They are comprised of skewed self portraits and acrobatic word play, always looking at the power implicit in language; how language signifies sickness without spelling it out and can at other times imprison, but ultimately, when put into the hands of the marginalised rather than decreed to them, liberates.  

The piece below is a playful allusion to the phrase "she wouldn't say boo to a goose". 


This piece, List of Possible Side Effects, explores the other, less discussed, unusual side effects of Olanzapine; the sensation of "Walking through treacle", "Reduced dreaming" and "Unexpectedly finding oneself near cake", rounded off with the very bizarre side effect I read on that Olanzapine pamphlet. I "cheated" somewhat with this piece, as a very talented embroiderer of yesteryear has worked some incredible stem and satin stitch on to the cotton. All that was left for me to do was embroider the text in variegated blue thread, and bullet point each side effect with red gems anchored with pink beads, to pick up the tones in the roses.





Freudian Slipstitch is the third in the series, and is currently under construction, ready for its protagonist to be placed in the scene. After that, perhaps a series of handkerchiefs. Onwards and upwards!


I still believe in happy endings

About this time last month I went to the Polyester Magazine Issue Four launch. There was a soundtrack of No Scrubs and My Neck, My Back, and, amusingly, being the only person there in a suit, Pip said he felt like he was "taking his thirteen year old daughter to a Green Day concert", but those weren't the only reasons we were there; I have some work featured in the magazine this issue.

You may remember this blog post about the commission I took on for stylist Alice Whiting. Well, the pieces I embroidered for Alice were part of a stunning editorial she put together for Issue Four. You can buy the magazine here to see the excellent company I'm in.

Photographer Sacha Burrows kindly sent me all her favourite shots from the photoshoot of the dress and blouse. I think she did an absolutely stunning job, as did Alice with the styling, and the models Poppy Hanam and Ellen Jasper. The softness and timelessness of the images really captures the skewed fairytale feel I aim for in my work.

I am available for embroidery commissions for fashion, fine art, or a melding of the two, just like here. Please email katerolison@googlemail.com with your requirements and for a quote, and I will be happy to help.










Pantone 4545

Apologies for the radio silence. I'm in a bit of a slump; too worn out to write. Too worn out to do much of anything; I have lots of ideas but no energy to put them into practice.

Luckily it's only thirteen days until I'm off to Scandinavia for what feels like a very necessary holiday (the number of days to count down feels most portentous!)

I have been able to do a little cutting and sticking in my visual diary, however; the cheat's route to creativity. There are some old drawings of mine (the first two pages) and some new ones by my friend Kat which she illustrated my birthday present wrappings with (the last two pages).

"Broken but happy" was the result I was given from one of those silly Facebook analyser/fortune teller apps which supposedly compromise your online security. It feels apt; I am a relentlessly optimistic depressive, at least, if an exhausted one. The Pantone postcard which is its neighbour, with its fetching shade of vomit blancmange, encapsulates depression for me; all is acrid and beige, the tumble weeds roll past your window, we're in Kansas forever more Toto, and there will never be any colour.

That being said, as an optimist, I can see the light at the end of the tunnel. I am seeing a very kind and incisive CBT therapist and trying to get on with things as best I can. I think I need a big yet reachable goal to work towards to give me a sense of purpose/calling. My big goal for 2016 was to have a solo exhibition, but that feels almost unimaginable at present. Perhaps a few months down the line things will be looking a bit brighter. Here's hoping!





"Hypnoid States"

My favourite quotation happens to be by one of my least favourite historical figures. Sigmund Freud wrote that "Hypnoid states often grow out of the day-dreams which are so common even in healthy people and to which needlework and similar occupations render women especially prone." I am a woman, a daydreamer, and an embroiderer; I must be more "prone" to "hypnoid states" than most!

"Hypnoid states", but of course, lead to symptoms of hysteria, that peculiarly female malady.

Compare Freud's quote with this one, by a contemporary female, the writer, editor and publisher Flora Klickmann; "And after the breakdown, when I couldn't bear the sight of books or the sound of music, I found myself actually doing needlework, and liking it too; and the fascination of it grew upon me very rapidly, till now - I really don't know what I should do if I hadn't needlework to fall back upon, as a recreation, when I get over-done with the wear and tear and strain of work in our great city.

I would tend to agree with Klickmann that the meditative, contemplative act of embroidery can help suture and sooth; we can stitch our shattered psyches back together again.

As an act of (hysterical) anti-patriarchal rebellion I am hand stitching a meticulous illustration of Freud's quote, using embroidery techniques which Flora Klickmann, and possibly even Freud would have been familiar with. Here is my progress so far.






































RPM (Resolutions Per Minute)

Happy New Year! I hope it's been just lovely for you. As I said on social media channels, I had the best Christmas since I was a wee bairn and got a lolly bigger than my head, and it is with some reluctance that I prepare myself for work tomorrow.

One of the things which has been so lovely about having so much time off, with not even any commissions to work on, is the freedom to make for the sake of making. I have finally made a breakthrough with a project which has been languishing for months. I have also been doodling with different source material in my visual diary, the outcomes of which I present to you here, including my New Year's Resolutions (in image number four) which I am adamant I will stick to.






To All A Good Night

It's the end of the 52nd week of the year. This means two things; this week heralds the final #secretsofselfpreservation potion this year (and indeed, ever, unless I do some more #secretsofselfpreservation workshops) and getting a large chunk of my Sunday back each week to make a wide variety of art or to do whatever I fancy, really. I have a new project brewing which leads on from #secretsofselfpreservation but goes off on much more tangents.

I feel like I have been floating around on a cloud of Christmas spirit the past few days. It could be having more than one day off work for the first time since April (ten whole days, I'm ecstatic!), it could be that I've spent time with all my favourite people, or it could be that, looking back on 2015, I am certain that it was one of my best yet. It may be something of a cliché to think that, but I feel I have much to be happy about; my first "proper job", taking commissions, workshops and talks, moving into a bigger room and furnishing it with fine frippery and feeling cosy and content there, four years with my sweetheart, even managing my mental health well so it doesn't interfere with my life too much. It's not been a half bad year, really, but I am also very much looking forward to all 2016 has to bring.

In this (Christmas) spirit, the final #secretsofselfpreservation potion reads "Be grateful and be proud". I have been offered so many breaks this year, and been surrounded by the most wonderful people. I am also beginning to like myself a little more, and acknowledge my achievements, and yes, I am proud of one or two of them. Which is awfully self congratulatory, but for someone who has as poor self esteem as I do it's kind of a big deal.

Pip's handwritten message on the wrapping paper of one of my Christmas presents accompanies the embroidery in the potion bottle. My year has been better for having him in it, and long may that continue.

Next stop is to get my Dad, talented amateur photographer, to shoot all the potions, and create collaged illustrative labels for each one. And then I think I may just try to exhibit them somewhere...



 Remember you can get (still!) involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.


Wrapping It Up Potion

With this week's potion complete, the Apotheké/#secretsofselfpreservation project has only one more week before its conclusion. That is one of the reasons why I have named this week's creation "Wrapping It Up" potion. The other is that this week has been marked by frantic gift buying and the dispersal of my work Secret Santa. So the ingredient to accompany the embroidered text is a message from a Christmas card, and the label the card's front. This week's text reads "Giving gifts is good for the soul." I love giving presents, and the only reason Christmas shopping this week has been rather frantic was because I was yet to give the perfect gift for several people, and I still haven't, so fingers crossed for the next few days!







Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Anticipotion

Last week's potion is belated, an all too common occurrence lately as the project approaches its conclusion.

On Friday, Pip and I booked our first holiday abroad since 2013. In February we are travelling to Gothenburg, Malmo and Copenhagen, hopefully in the snow! With that and the New Year in mind, for last week's potion I stitched, simply, "Look forward" on to the ribbon.



To accompany the words is a small coil of grey thread, which I am using in another, new project.


The other day Pip found some of this thread in his room and couldn't resist sending me this photograph, hence this potion is a combination of our plans together and my vocation.


Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Pining Potion


I must admit, with the end of 2015 rapidly approaching, I am looking forward to having my Sundays back. Not because I have better things to do with them than create #secretsofselfpreservation potions, but because I'm itching to get started with a new project (or projects). More on that later, but in that spirit (sort of), this week's potion is named Pining Potion; that is, if you can pine for something which will occur in the future?

The diary element this week is a sprig of needles from our obliging Christmas tree which has not yet been brought in from the garden; I helped decorate Pip's yesterday whilst we listened to Carols from King's. 

Different types of strength have come up in conversation a few times this week; in the context of brains Vs brawn, stereotypical gender roles, youthful machismo Vs mature responsibility. So this week's #secretsofselfpreservation potion reads "Strength and softness are not mutually exclusive." Something I think very much applies to me, and all of us.


Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.


Grasshopper Potion


Last week's #secretsofselfpreservation potion is not one but two days late to be posted, despite being finished in time. I'm feeling less and less inclined to blog lately; I don't know if it's wanting to hunker down and hibernate at this time of year, work becoming busier, or winding down with #secretsofselfpreservation as the end of the year draws nigh. I'm eagerly anticipating my next big project, but as last week's potion advocates, I must have "Patience." I've always been one to want to run before I can walk, but I'm learning to accept my limitations and take my time, and, crucially, wait.

To accompany the text is what can only be described as fluff. I spent a good part of Saturday evening picking bobbles out of a new (old) angora jumper I had picked up for two quid, so that I could wear it the following day. In addition to that small example of patience, I had found a number of similar jumpers in Brick Lane for around thirty pounds a piece, but had decided to forgo them, so my patience really paid off!





Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.





Powerful Concoctions Potion

Last week was a bit of a boozy one. The weekend brought my little cousins to stay, the eldest of whom is obsessed with giraffes, and so it only seemed right to combine the two themes of the week in the diaristic element of its #secretsofselfpreservation potion with a giraffe shaped cocktail glass accessory. I named the potion Powerful Concoctions Potion, due to the alcohol consumption and the fact that I do believe these potions constitute powerful talismans and  the process of making them plays a significant part in keeping me well each week.

The words embroidered on the ribbon read "You are good enough." I am gradually beginning to believe that more and more.







Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Owning Your Okness Potion

Perhaps my biggest flaw is my lack of willingness to compromise. I like things the way I like them, and I have a tendency to be all or nothing; if things are almost perfect, but not quite, I'm prone to pack it all in. At my worst I remind myself of the titular character from Kissing Jessica Stein; so terrified of things not being Perfect that she misses out on things being Quite Good.

I have particularly been feeling this way lately, but if I think about it I must concede that things actually are Quite Good. "Perfection is unattainable", as I embroidered on to ribbon for this week's #secretsofselfpreservation potion. I really want to remember that, and not judge myself so harshly, or at all, for not reaching the impossible.

As the ingredients to go alongside this mantra, I have included 25p, simply because after our date yesterday my lovely boyfriend treated me to a rabbit themed mug for that price when we wandered into the local Sally Army. I'm nuts for bunnies, my favourite mug he got me some years ago tragically broke, and it was the kind of tiny gesture which makes me very happy.

Our date was a trip to the Bob and Roberta Smith exhibition at the William Morris Gallery followed by coffee and cake. I have borrowed from Bob and Roberta's visual vocabulary, using a colour combination and font for the mantra which he frequently uses in his signs and placards.

The potion's title is Owning Your Okness Potion, a reference to a Simpsons episode in which Homer reads a pamphlet by that name.






 Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.





Now Taking Christmas Commissions

Last Christmas time I had the pleasure of embroidering some song lyrics of special significance for a lovely couple. I would like to offer these services to you; the lyrics below cost £40, and I can embroider lyrics, a poem, a quote, or even a special handwritten note, all in the font/style of your choice. Price depends on size and number of words, but I can post the finished embroidery to you, or if you are London based you can come to pick it up or I can deliver it in person. If you would be interested in commissioning a bespoke gift please contact me at katerolison@googlemail.com, with size, words, and the sort of font you would like, and I will get back to you with a reasonable quote. I look forward to hearing from you.

Below are some other examples of hand stitched text I have made to give you some ideas for your commission. Many thanks,
Kate x







O.K. O.J. Potion


I'm not very good at living in the moment. I have a very noisy and often unhelpful mind that, when I am trying to concentrate on doing the task at hand to the best of my ability, has a tendency to say "Remember when you were doing [completely unrelated thing] and failed utterly at it?" or agonise over whether I will be up to doing the task at hand next week, or fixate on the seeming improbability of ever moving out of my parents' house. Welcome, my friends, to pervasive anxiety.

So, I would like to live in the moment a little more, and in the rare instances when I am able to, it is sheer bliss. It was that way during the two sessions of paper-making I led with young people at work over the past couple of weeks. I was completely invested and engrossed in introducing the young people to a new and creative experience, and buoyed up by their enthusiasm. Fingers crossed there will be similar results next time I lead a creative activity with them!

That's why this week's #secretsofselfpreservation potion reads "Be present." Not letting it all pass me by in a tangle of worry.


Some of the paper I made is included too, embedded with sequins and sparkling thread.





The potion's title is "O.K. O.J. Potion" as the bottle is a relic from the Sixties when orange drink was delivered in glass bottles direct to door alongside pints of milk. From the way it is described, I would guess this "orange drink" was full of E numbers rather than being a more wholesome orange juice, but it still has a perkiness about it that speaks of hope and fresh beginnings. The drink was marketed under the name SuKie SunKap, with a little cartoon orange lady, which is about as perky as you can get. It reminds me to savour the moment and the little things, such as simply really enjoying a glass of juice first thing in the morning.





Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Graft Draught Potion

I am beginning to feel more hopeful about my future. It seems that whenever I'm beginning to feel a lull in my freelance arts work, I get contacted about a fantastic opportunity, and that's without seeking them out myself, which I am beginning to do more of. My "night job" may not be paying the bills yet, but I feel immensely privileged to be able to earn some money doing what I love.

The lull also allowed me some time to work on personal projects, which has been great fun. However industrious the week has been, though, I always round it off with a #secretsofselfpreservation potion. Last week, prompted by fortune cookies handed out at the end of my aunt's 50th birthday celebrations on Sunday, I was reminded of my favourite cookie fortune; "The harder you work, the luckier you will get".

So Week Forty Four's #secretsofselfpreservation potion reads "Spit, polish and elbow grease gets things done." A reminder to work hard, accompanied by a feather from my Halloween costume (I was Tippi Hedren in The Birds) as a reminder to also let my hair down from time to time.




Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Drawing Strength Potion

 This week's #secretsofselfpreservation potion follows on from thoughts last week. I am still drawing, sketching every other day, and finding I am not as hopeless at it as I thought (although perhaps still slightly hopeless... practise makes better!)

I am doubting myself ever so slightly less than I have done of late. So, the stitching this week reads "Have more faith in your abilities". This applies to every area of life; work; friendships; juggling swords. My dyspraxia aside, I feel more comfortable in my own skin, more sure of myself, and more ready to try doing the things I feel trepidatious about, but I know either must be done or I desperately want to do. The peachy pencil represents conquering my fears and proving myself to the only person I need to prove myself to; me.





Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Sweet Kernel Potion



This time of year heralds some of my favourite things; Twin Peaks watching season, warming bowls of food,  woollens, the colour orange in plentiful supply, hunting for mushrooms in the forest, and yes, leaf-peeping. I realise all this makes me sound like a Pumpkin Spice Latte acolyte (I've never touched a drop I swear), but I still think Autumn is somewhat magical.

As yesterday was spent fungi foraging, it seemed apt to include sketches of mushrooms I made last week along with photographs from our family walk in Epping Forest as the diaristic element of last week's #secretsofselfpreservation potion.

I finally bit the bullet and started drawing, and the results do not appear to be utterly catastrophic. It reminds me of a page from this visual diary entry and this #secretsofselfpreservation potion from back in March, which was about feeling the fear (of drawing terribly) and doing it anyway.

I drew inspiration from one Ms Hermione Granger and embroidered "Fear of a thing is worse than the thing itself" on to autumnal ribbon. Because it so often is.

The potion's label is from the first page of my altered book What To Look For In Winter. The potion's title is Sweet Kernel Potion, a reference to Keats's To Autumn, and to hope in the face of fear.







Remember you can get involved too, via the hashtag #secretsofselfpreservation, by writing about a simple way you plan to, or already do, take care of yourself. Alternatively, you can create your own embroidered (or written on paper) potion - just remember to include the hashtag #secretsofselfpreservation along with your snaps of it.

Conductive Cushions

Conductive cushions - mixing crafting with tech from Share UK on Vimeo.


On Tuesday it was Ada Lovelace Day. Ada Lovelace would be a remarkable woman in any age, but in the 1800s she was a true trail blazer. The only legitimate daughter of Lord Byron, Ada's puritanical mother, Anne Isabella Noel Byron, thought that instructing her daughter in the sciences would quell any dangerously poetic genetic pre-disposition in Ada. What she didn't quell was Ada's brilliance. She was a gifted mathematician, far more forward-thinking than her male contemporaries, and credited as having written the world's first computer program. Ada's most famous quote is "That brain of mine is more than merely mortal, as time will show." The computer programs which add so much ease, convenience, and support in our daily lives are proof of that.

In this spirit, in the run up to Ada Lovelace Day, Share UK, "a community based organisation that uses digital technology to share stories, ideas and skills", ran a two day coding and crafting workshop for pairs of mothers and daughters at Gnome House in Blackhorse Road, Walthamstow, led by Esther Freeman, with ingenious Carolyn Abbott of Walthamstow institution E17 Designers manning the sewing machines and Bronwyn Goodwin providing techy know-how. And I taught a wee bit of embroidery and threaded a lot of needles.

The truly thrilling (at least to me) part of the project was incorporating hand embroidered circuits into textile craft. It was so exciting, in fact, that it has to be written in italics. The theme was inspiring women, and so in my sample I prepared earlier to give the mothers and daughters some ideas, I paid homage to my heritage with the phrase "This thread connects me to a lineage of needlewomen across the ages." I stitched a sort of "family tree" of sewing kit essentials, with scissors, a pin cushion, a thimble and a skein of thread all represented. As the latest member of the "family tree" I stitched a light bulb, in the centre of which was a tiny blue LED connected up to a battery holder. I think I audibly gasped when I put a battery in and it worked first time.



The participants in the workshop had much better ideas than my rather scrappy one. The little girl in the duo who created the cushion below was named Aphra, after Aphra Benn, the first woman in this country acknowledged with earning her living from her writing (she was also a spy for Charles II, but it's the other fact I find more inspiring). Behn was a playwrite, and so modern-day Aphra and her mother appliqued and embroidered Comedy and Tragedy masks on to the cushion, along with a spyglass, and most cleverly of all, a "quill" fashioned from a feather and an embroidery needle, which, when touched to an inkwell, completed the circuit and made the cushion light up.




Taylor Swift was a popular choice of inspiring woman, with two cushions featuring gleaming guitars being created in her honour.



The creator of the cushion below wasn't so keen on hand sewing but took to the sewing machine instantly, and very cleverly replicated the glowing light of the XBox controller with her circuit.


With this cushion, it was one of the mum's turn to shine; I showed her how to couch, and she produced the most beautiful lettering in a variety of colours. I think the choice of Beyoncé song may have been her daughter's, though, and I thoroughly approve!






A very sweet mother-daughter team worked really hard to make the cushion below, based around a true female role model (or at least I think so!), JK Rowling, appliqueing the magic word for the light-giving spell, "Lumos!" and surrounding it with other words for light, and LEDs refracting beneath crystal glass beads.


A number of my female friends will be very happy to see their alma mater paid respects; this cushion is dedicated to the teachers of Walthamstow School For Girls, hand appliqued and embroidered with its crest and motto "Neglect not the gift in thee"; good advice for every girl and woman, I think. The centre of each of the flowers on the crest light up.


This impressive cushion was produced by a pair of friends rather than a mother-daughter duo; it features the Suffragette colours of purple, white and green (which reminds me I must book tickets to the cinema to see Suffragette soon), reminding us of the struggle and sacrifice so many women made for us to have the vote. The circuitry is all hidden behind the flower and its centre glows a warm yellow.


The mother of the pair who made this cushion owns a vintage company, and had excellent colour sense when putting together this tribute to Sonia Delaunay with her daughter. There's some gorgeous, joyfully colourful long and short stitch in there, but unfortunately when I took this photograph it was dark (to show off the LED lights to best effect) and so it doesn't show up. Which is all the more reason to get down there and see the cushions exhibited for yourself! They're up in the windows of the café at Gnome House until the end of this month. Here are directions and a map.